Destroyer Channels Green Room and Mikey & Nicky In Its Exquisitely Crafted Dark Tone

"We may be through with the past, but the past is not through with us", so goes one of the most memorable lines from Magnolia and Destroyer is a crime thriller about a human being whose present-day circumstances are tormented by the past. Such a set-up, unsurprisingly, results in a grim movie that has little time for levity or hope, this is a bleak examination of a person not looking for redemption so much as a way to make the emotional pain stop, even for a moment. Such a pervasively mirthless affair won't be to everyone's liking, but me? I absolutely adored Destroyer, it's an absorbing movie that executes its dark tone with exquisite filmmaking that echoes the harrowing rawness found in Elaine May's Mikey & Nicky or Jeremy Saulnier's Green Room.

A Movie As Well-Made As The Passionate Friends Has Got A Friend In Me

To quote Paul Thomas Anderson's Magnolia (which itself was quoting a passage from the book The Natural History of Nonsense): "We might be through with the past but the past ain't through with us." That's true under any circumstances but it's especially true in regards to the lead characters of The Passionate Friends, who are all entangled in how Mary (Ann Todd) is becoming heavily infatuated with a figure from her past much to the detriment of her present circumstances. Even when seemingly important people and events fade into the best, they can still manage to be impactful well into the present.

Paul Thomas Anderson's Sprawling Magnolia Is Incredibly Engrossing And Unique Cinema

There is no attempt to ease the viewer into the world of Magnolia, the film is just off to the races once the first frame comes up on-screen. Before you know it, the audience is tossed around multiple different storylines happening in close proximity to one another with a similar bleak yet darkly humorous tone permeating the majority of the individual subplots. As the camera frantically moves around from one person to the next, it may seem like this will be too much too fast for a viewer to process but in actuality, it's all too easy to adjust oneself to the unique atmosphere of Magnolia and the similarly idiosyncratic way it tells it's myriad of stories that all transpire over the course of a single day.