Don't Give The Bird To A Solid Political Thriller Like Three Days of the Condor

You ever feel like you just missed something important at your job? Like, maybe you turned your back for two seconds to help a customer and you suddenly missed some important instructions or orders from your boss? Boy does Joseph Turner (Robert Redford) know that feeling. He works for a C.I.A. branch that's dedicated to looking over reading materials (like novels) to see if they overlap with actual secret C.I.A. plans. It's not glamorous, but it's a living. Anywho, one day he goes out to a diner around the corner to pick up lunch for his co-workers and comes back to discover that everybody in his office has been viciously murdered by unknown enemy forces.

Bonnie And Clyde's Gift For Humanizing Legendary Bank Robbers Still Resonates Strongly Today

Before they were known as being the presenters caught up in the middle of a massive Best Picture Oscar snafu, Warren Beatty and Faye Dunaway's most notable collaboration in American pop culture was in their portrayal of real-life criminals Bonnie & Clyde in the 1967 motion picture of the same name. Directed by Arthur Penn, the film is not interested in chronicling who Bonnie Parker (Faye Dunaway) and Clyde Barrow (Warren Beatty) were prior to their criminal escapades, the feature begins with the two meeting outside of Bonnie's house with Clyde managing to coerce Bonnie to join him in his assorted robberies while trying to impress here.  Conversely, its story comes to an intentionally sudden halt once the duo meet their grisly end, solidifying this as a movie squarely focused on just the romance that blossomed between these two legendary criminals.

The Scares Never Show Up In The Bye Bye Man And Neither Do Any Actual Positive Qualities

2017 has been "the best of times...the worst of times" for horror movies it seems. For every Get Out, It Comes At Night and It, we've also gotten utter dreck like Rings and Wish Upon. I foolishly thought those two films couldn't be beaten in terms of lowering the bar for horror cinema in 2017, but The Bye Bye Man somehow beats out a snooze-inducing Rings sequel to become the worst horror film of the year and possibly the worst 2017 movie that isn't 9/11. Not only is this a terrible motion picture but it's bad in amateurish ways that aren't particularly common among conventional theatrical releases in 2017.

The Brilliant Satire Network Has Become Tragically All Too Relevant In 2017

"What's old is new again" as they say, and while it's not a perfectly equal comparison, it must be said that the world of America in 1976 (the year in which Sidney Lumet's Network was released) does bear a great resemblance to America in 2017. A historically catastrophic President? A recent grisly war that has not produced the sort of triumphant victories America is accustomed to in its foreign affairs? People looking for answers in their entertainment? Some variations of all those ideas always exist in human society but they're particularly potent in both 1976 and in the modern era, making Network one of those amazing movies that's both a perfect time capsule of the era in which it was released and also something that feels incredibly relevant multiple decades after its initial release.