Gringo is trying to be something different. Writers Anthony Tambakis & Matthew Stone and first-time feature film director Nash Edgerton clearly want Gringo to be a dark comedy occasionally interrupted by brief bits of action that has a glib view of the morality of the rich and powerful and has a sad-sack everyman protagonist that Jimmy Stewart would have played once upon a time. That's an unorthodox mixture of elements to put into one movie and that audacious spirit is to be admired. But in executing such a unique concoction,
Gringo, unfortunately, winds up as a misfire, commendable artistic intentions can't mitigate the tiresome scattered nature of this project.
