Friday, March 15, 2024

In Laman's Terms: The Simpsons And Its Era of Lengthy Couch Gags

Even if you've never seen an episode of The Simpsons, chances are you know the lengthy opening sequence that precedes most installments of the show. The show starts in the clouds before having the camera zoom through Springfield and resting on Bart writing up a phrase on the chalkboard. The opening sequence then follows each member of the Simpsons family before concluding with everyone meeting up at the house. As they arrive in the domicile, a "couch gag" occurs. Such a gag involves the five members of the Simpsons family trying to sit down on their couch but something goes wrong. It's a lengthy kick-off to an average Simpsons episode, but this set-up has proven to be one of the most iconic elements of the program.

Believe it or not, though, for a while there, these opening sequences were even longer! For nearly a decade of the program's history, there were extremely long couch gags that ate up airtime and attempted to give the show some "viral" moments. This is...The Era of Lengthy Couch Gags!

For nearly the entire first 20 years of The Simpsons, the show rigidly adhered to its opening sequence format. Shorter versions of this opening (which included just the chalkboard and couch gags or even just the latter element) would be implemented for many installments, but there was always something preceding the proper episode. The demands of cramming all the narrative demands of a traditional Simpsons episode meant that every second counted on this program. This necessitated that couch gags be short and to the point. Occasionally, slightly longer couch gags (like one involving the family doing a chorus line dance that transitions into a big Vegas-style production) would be implemented. However, these gags (largely limited to installments from seasons 3 and 4) were done out of necessity to boost up an episode that ran short. They weren't prepared as a showcase for unique artists or as homages to other programs. Plus, there was a cap on how long they ran. The thought of these gags going on for more than 60 seconds would've been incomprehensible in the era of 1990s television.

However, in March 2007, the episode "Homerazzi" broke viewer expectations by delivering a couch gag that wasn't confined to just the house of The Simpsons. This gag followed a single-cell organism version of Homer Simpson navigating the entire process of evolution. Various Springfieldianites were rendered as dinosaurs, possums, fish, and other critters. The entire sequence culminated with Homer arriving on the couch with the rest of his family, causing Marge to inquire "what took you so long?" Running 70 seconds, the couch gag redefined the visual and length possibilities of this staple of The Simpsons. There's never been official word on why the crew behind the show suddenly decided to go in this expansive direction with the couch gag after so many years. 

One possibility, though, is The Simpsons Movie. "Homerazzi" debuted just four months before that theatrical release. Perhaps the artists and writers behind The Simpsons were getting so jazzed with the creative possibilities of making a movie that they looked to bring some of that audacity to the small screen. Whatever the reason, a new world of possibilities opened up just in time for a new decade of the show's history. The Simpsons was about to enter its 20s, not to mention the world of high-def animation. With these events on the horizon, lengthier variations on the couch gag were about to become a lot more common. The first HD episode of The Simpsons ("Take My Life, Please) featured a 47-second long couch gag that saw the titular family chasing their couch all across the world and even into outer space. The second-ever HD episode, "How the Test Was Won," would contain a similarly lengthy couch gag depicting the Simpsons family strolling through a series of iconic sitcom backdrops.

Initially, these longer-form couch gags had their uniqueness defined by their expansive scope. The Simpsons no longer just encountered strange events in their living room. Their couch gag exploits could take them to any TV show or country. However, the era of the lengthy couch gag would soon be defined by two key elements: participation by outside artists and attempts to go "viral". Both of these elements could be seen in the entire opening sequence of the 2010 episode "To Surveil With Love," which saw the denizens of Springfield lip-syncing to the Ke$ha tune "Tik Tok." Combining an incredibly popular song/person with The Simpsons was clearly a move on the part of the producers to get some extra eyeballs on the show. This was the age of "going viral" on YouTube, after all. Programs like Saturday Night Live and Jimmy Kimmel Live were already having great success in the late 2000s with standalone shorts and segments that took on another life online. The pre-episode segments of The Simpsons were ample territory for this show to create its own equivalent to "Dick in a Box" or "I'm Fucking Ben Affleck."

Having broken the seal of using the opening sequence of this show as a way to cross-promote with other artists, the couch gags began to take on a whole new lengthy life of their own. In October 2010, the episode "MoneyBART" took these possibilities to dark places by having Banksy (then at the height of his fame) draw up an opening sequence depicting sweatshop workers making Simpsons episodes, merchandise, and DVDS in deplorable conditions. Where are these workers located? Within the 20th Century Fox logo, of course! It was a really subversive piece of material that smuggled biting commentary on the conditions that produce escapist American entertainment within a mainstream sitcom episode. 

Later lengthy couch gags would bring in other guest artists to give the Simpsons world a unique visual spin, with folks ranging from Bill Plympton to Eric Goldberg to Don Hertzfeldt all delivering couch gags that could only have come from their brains. Meanwhile, in April 2013, an additional new precedent for lengthy couch gags was set when the episode "What Animated Women Want" featured a quasi-crossover with Breaking Bad. This segment opened the door for later couch gags like a 2015 segment that saw Rick and Morty (literally) crash-landing onto the Simpsons family. A pair of later couch gags would also make use of the world and animation style of Robot Chicken. Let's also not forget the season 28 premiere that featured a couch gag based on the opening to Adventure Time, complete with vocals from that show's creator, Pendelton Ward. 

These lengthy couch gags allowed The Simpsons to inhabit new visual styles and even mediums of animation (like stop-motion). These attributes lent some exciting artistic virtues to such segments. Meanwhile, FOX and the producers had to be happy with the hefty YouTube viewcounts for couch gags that attracted the Rick & Morty, Ke$ha, or Breaking Bad fanbases. Bizarrely, they were attached to episodes that were often downright forgettable. After experiencing a brief creative resurgence in the initial years after the show switched over to high-definition, The Simpsons went into a creative rut in the mid-2010s (save for episodes that were executive-produced by Matt Selman). Installments like "A Test Before Trying", "YOLO," or "Luca$" felt like the creations of writers keeping a show alive out of obligation, not creative fervor. While the couch gags suggested The Simpsons could be anything, the episodes themselves were largely lifeless.

By the end of the 2010s, the lengthier couch gags began to whittle down in presence. Occasionally more ambitious segments (like a parody of the opening of Succession or the Simpsons family members portraying Queen performing their 1985 Live Aid concert) would emerge, but the couch gags were becoming briefer again. The age of "going viral" had changed significantly in just a decade, with TikTok now being the main platform to go viral on rather than YouTube. The lengthy couch gags actually clashed with the short-form videos most popular on TikTok. This diminished their importance on a financial or exposure level. Meanwhile, it was more difficult than ever, even just in the span of a few years, to come up with concepts for eye-catching crossovers with other shows. The age of "Peak TV" meant there was more programming out there than ever before. It was hard to figure out a pop culture-defining program (like Breaking Bad, for instance) that the Simpsons family could rub shoulders with in a couch gag that would immediately make the internet go crazy. Would an Ozark-themed couch gag really set the world on fire?

There's also the simple fact that the current version of The Simpsons has bigger fish to fry. In a 2023 Vulture interview about the creative resurgence of this sitcom, showrunner Matt Selman observed that an average Simpsons episode now has as much effort put into it as the typical "Treehouse of Horror" installment. With modern Simpsons outings engaging in more unconventional narrative structures and plotlines, all the creative juice isn't just going into the couch gags. Heck, for season 34, seven episodes (to date) have eschewed the entire Simpsons opening sequence, including the couch gag! We're now living in a radically different era of Simpsons storytelling, which means the era of lengthy couch gags has been put into storage (or wherever you put old couches...a nice farm upstate?)

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